Xem 47 Meters Down: Uncaged 2019 Vietsub Online

Xem Xem Phim 47 Meters Down: Uncaged 2019 Vietsub Online

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Xem Xem Phim 47 Meters Down: Uncaged 2019 Vietsub Online

Đoàn làm phim

Cục nghệ thuật phối hợp : Nahiya Fortin

Điều phối viên đóng thế : Dagron Dubeau

Bố cục kịch bản :Didiane Giovani

Hình ảnh : Pinneau Gianna
Đồng tác giả : Willie Ajwa

Nhà sản xuất điều hành : Macias Firdaws

Giám đốc nghệ thuật giám sát : Najmo Naël

Sản xuất : Rosset Michel

Nhà sản xuất : Kishore Gisèle

Nữ diễn viên : Momnah Madina

Four teenage girls go on a diving adventure to explore a submerged Mayan city. Once inside, their rush of excitement turns into a jolt of terror as they discover the sunken ruins are a hunting ground for deadly great white sharks. With their air supply steadily dwindling, the friends must navigate the underwater labyrinth of claustrophobic caves and eerie tunnels in search of a way out of their watery hell.

4.9
422

Tên phim	47 Meters Down: Uncaged
Thời lượng	137 minutes
Năm sản xuất	2019-08-15
Trạng thái	AVCHD 1080p VHSRip
Thể loại	Horror
Ngôn ngữ	English
Diễn viên	Rashmi U. Eloïse, Harees Y. Sylvia, Merla D. Just

[HD] Xem Xem Phim 47 Meters Down: Uncaged 2019 Vietsub Online

Phim ngắn

Chi tiêu : $177,578,837

Doanh thu : $642,085,988

Thể loại : Nhân loại - Dũng cảm Dũng cảm trớ trêu hòa bình lòng tốt động vật tấn công sự thật hạnh phúc đòi hỏi , ngu ngốc - Gián điệp , Cộng sản - Khủng bố Lòng thương xót , Anh hùng - Chủ nghĩa hoài nghi

Nước sản xuất : Swaziland

Sản xuất : Ngọc lục bảo

وخز بالإبر ويكيبيديا ~ يستخدم أخصائيو الوخذ بالإبر المعاصرين إبر دقيقة من المعدن الذي لا يصدأ، وتستخدم لمرة واحدة فقط،0007 to 0020 بوصة 018 to 051 مـم وتعقم بأكسيد الإيثيلين أو جهاز التعقيم

إلحاد جديد ويكيبيديا ~ الإلحاد الجديد هو مصطلح صاغه الصحفي اللا ديني جاري وولف في 2006 ليصف المراكز التي يتبناها بعض ملحدي القرن الحادي والعشرين يتكون هذا الإلحاد الحديث من مجموعة من المفكرين والكتّاب الذين يؤيدون فكرة أنه لا يجب التسامح

شاكر عامر ويكيبيديا ~ شاكر عبد الرحيم محمد عامر ولد في 21 ديسمبر 1966 هو مواطن سعودي كان مقيم في بريطانيا، احتجزته الولايات المتحدة في معتقل خليج جوانتانامو في كوبا لأكثر من 13 عامًا دون تهمة أعتقل شاكر في ديسمبر 2001 في أفغانستان من قبل صيادي

أعرف لماذا يغرد الطائر الحبيس ويكيبيديا ~ كتاب أعرف لماذا يغرد الطائر الحبيس بالإنجليزية I Know Why the Caged Bird Sings هو سيرة ذاتية كتبتها الكاتبة الأمريكية من أصل إفريقي، والشاعرة مايا أنجيلو عام 1969م حول السنوات الأولى من حياتها ويتضمن الإصدار الأول سلسلة من سبعة

شعر مايا أنجيلو ويكيبيديا ~ خلفيتها درست أنجيلو الشعر وبدأت في كتابته في سن صغيرة؛ فقد وقعت في غرامه في ستامبز أركنساس، المدينة التي نشأت فيها واختارتها لتدور فيها أحداث سيرتها الذاتية الأولى أعرف لماذا يغرد الطائر الحبيس 1969

مايا أنجيلو ويكيبيديا ~ مارجريت آن جونسون وشهرتها مايا أنجيلو بالإنجليزية Maya Angelou، وتنطق ‎ ‏ ˈ m aɪ ə ˈ æ n dʒ ə l oʊ ‎ ‏ سانت لويس 4 أبريل 1928 28 مايو 2014، شاعرة وكاتبة أمريكية أصدرت سبع سير ذاتية وخمسة كتب في فن المقال والعديد من المجموعات

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Sometimes, people ask me if I feel less motivated to write about a movie I didn’t like or even simply hated. Not even close. Matter of fact, it might be the exact opposite. The only films which I find hard to write a review on are those who don’t have a single aspect that is either outstanding or horrible. Those who are so “in the middle” that you forget about them less than 24h after you’ve seen it. 47 Meters Down: Uncaged could very well be this type of flick, but its ludicrous logical issues story-wise are impossible to ignore. Even the title is just a marketing scheme to attract people who liked the 2017’s original since it is entirely unrelated to it (the water depth at which the characters are is never addressed).

This is one of the worst movies of the year. It still doesn’t beat Serenity, but it made me rethink about the latter’s grade because I find it so incredibly difficult to acknowledge one single good thing about this terrible sequel. Had I scored Matthew McConaughey’s film an F, this one would probably belong there as well. However, in the same way that a film without flaws isn’t necessarily an A+, a movie with no redeeming quality isn’t instantly an F. If there’s one compliment I can give Uncaged is that there are two or three short sequences where a jump scare is effective, or the suspenseful vibe was accomplished … Nevertheless, these are still just a couple of minutes in an almost 90-min runtime.

The characters have no development whatsoever. The story follows the most pathetic path possible. The sharks (which are the reason people actually went to the theater) are not as visually realistic as in the original, reaching a point where the CGI was pretty awful. A fish screams … I mean, really?! Who the hell supervised this mess? Characters talk underwater seamlessly with no explanation on how they are effectively talking. I could sit here and write dozens of questions that defy the film’s logic, but I’ll stop here. Not because I don’t want to (if this wasn’t a spoiler-free review, I’d go crazy), but due to the fact that the main issue with the movie isn’t the atrociously illogical plot points, but the lack of entertainment.

Fast and Furious, Pirates of the Caribbean, Transformers … All of these are (financially) successful franchises. Audiences all over the world fill theaters and enjoy these series for what they are: popcorn entertainment. No one goes for the complex plots or layered characters. People go for the action, the explosions, the epic scores, the visual effects, and all of that stuff. Uncaged doesn’t have any of that to compensate its other problems. One or two scenes here and there aren’t enough to warrant the price of admission. Even the acting is mediocre.

All in all, 47 Meters Down: Uncaged is nothing more than a silly attempt at the start of a new franchise. Don’t be fooled by its title since it has nothing to do with the original flick. It doesn’t try to introduce compelling characters, the shark sequences fall flat for the most part, and the screenplay is filled with laughable plot points. There’s no sense of logic. For an 89-minute runtime, it astounds me how it can’t be slightly entertaining, to say the least. Undoubtedly, one of the worst films of the year. Skip it, so they don’t have enough money to try and do a third one. Who knows?! Maybe they’ll bet on original, smaller flicks from genuinely talented filmmakers who want to work hard and deliver a good movie.

Rating: D-
‘47 Metres Down: Uncaged’ doesn’t have the inventiveness of ‘The Shallows’, the intensity and drive of ‘Crawl’, the fun of ‘The Meg’ or the gore of ‘Piranha 3D’ but, for a few fleeting moments, it does feel vaguely like an underwater version of ‘The Descent’. If only the film would have let the characters shut the fuck up a little more and let me enjoy those aspects.
- Jake Watt

Read Jake's full article...
https://www.maketheswitch.com.au/article/review-47-metres-down-uncaged-fails-to-surface
Has a few moments going for it, but this is pretty much paint-by-numbers survival-thriller with some pretty bad acting (or at least poor dialogue). The first movie wasn't very good either, but at least the characters in that one didn't get into their predicament due to their stupidity like they had here (seriously all of this got started because one of the girls got startled by a fish and knocked into a pillar).

Only notable thing about this cast is two of them are children of a famous parent actor (Jamie Foxx/Corinne Foxx, Sylvester Stallone/Sistine Stallone).

Not terrible and passably watchable, but kind of feels dated even though the obsession with sharks was only a few years back. **2.0/5**
Rare is the shark movie that actually tries, and for that, _47 Meters Down: Uncaged_ deserves ample credit. The shark effect quality varies wildly, but when it's good, it's really good (shame one of the not good times was the first time you see one). About as much originality as you can get out of this genre, but even with all that said, _Uncaged_ still can't manage to cross that threshold into "good". It fails to suspend disbelief, doesn't have characters you can care about, and isn't very well acted. It rises above a lot of modern-day shark movies, but it doesn't rise above many movies in a more general sense.

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._


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